IN THE closing scene of the hit Australian film, Strictly

Ballroom, spectators at the Pan-Pacific Ballroom Dancing Championship
jump the barriers and take to the sacred floor, dancing however
they like to a John Paul Young pop song.
The film's star, Paul Mercurio, pictured right, says he hopes
Strictly Ballroom will have the same effect on cinema audiences
- to inspire them to overcome the barriers which separate ordinary
people from dance.
``I hope it encourages people to get involved in dance - whether
it's ballroom or ethnic styles or just bopping around the kitchen,''
he says.
The film was an outstanding success at the Cannes Film Festival
in France this year, where it garnered rave reviews after a
special midnight screening. The following day, Mercurio was
deluged by the international media keen to know more about the
stylish, affectionately satirical film and its ballet dancer
star in his first movie role.
The film tells the story of Scott Hastings, gifted young ballroom
dancer and son of a stage mother from hell. When Scott breaks
the rules of the all-powerful Australian Dancing Federation
by performing his own steps at a championship contest, he almost
commits career suicide. His ambitious dance partner dumps him,
leaving him without a partner for the Pan-Pacifics.
Then the ugly duckling of the dance studio, Fran (Tara Morice),
emerges from the shadows. They resolve to dance their own way,
regardless of the consequences.
``It's not a new story by any means,'' Mercurio said during
a visit to Adelaide this week. ``It's a combination of Cinderella
and the David and Goliath myth. People can relate to it.